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fatpinkcast:

Critics’ Reactions to the Jaime/Cersei Rape Scene in Episode 4.3 of Game of Thrones

"I wonder, then, if the rape was on some level a misguided attempt to give Cersei even more pathos, a la the convenient backstory rapes that have become depressingly common on prestige TV (and Scandal)…I wonder if TV Thrones‘s writers just have a tendency to change problematic book sex scenes into clear scenes of unconsensual sex.” - Hillary Busis, Entertainment Weekly


“Game of Thrones has a rape problem.” - Kevin Spak, Newser


"In the original depiction, Jaime never says “Why have the Gods made me love a hateful woman?” — a line that the TV show added in, which in context makes Jaime look like an abusive rapist (the gods made me do it!)”- Darren Franich, Entertainment Weekly


Jaime forced himself upon Cersei despite her demands to stop. “It’s not right,” she cried, to which Jaime snarled, “I don’t care.”…we can never unsee that godawful scene. - Leanne Aguilera, E! Online


"If this scene really just is a miscalculation in direction (and potentially the writing of Benioff and Weiss, neither of whom have yet commented on it) and doesn’t get any payoff later in the season, then it truly deserves all the criticism it has been receiving.” - Terri Schwartz, Zap2It


The director who shot the scene and the man who acted in it both believe it wasn’t necessarily nonconsensual sex— an attitude that isn’t totally surprising in a society that’s deeply confused about what constitutes consent, and that doesn’t always recognize sexual violence for what it is. -Tara Culp-Ressler, ThinkProgress


So then Jaime … well … no other way to put this, really. He rapes his sister beside their corpse of their murdered son. This is the same guy who protected Brienne from a similar fate last year.  - James Hibberd, Entertainment Weekly


"…the show’s overall treatment of women as disposable objects onto whom physical and emotional violence are relentlessly enacted. Sexual violence is so pervasive on the show that nearly every woman on the show has been raped or threatened with rape. The show, and the books, reveal the disturbing and cavalier facility with which rape becomes a narrative device.Rape is used to punish. Rape is used to make a woman more sympathetic or to explicate their anger or other unlikable qualities. Rape is used to put women in their place.” -Roxane Gay, Salon


"The entire scene in the sept was an exercise in Cersei’s belittlement. She watched her father degrade and dishonor (albeit truthfully) her firstborn’s legacy and then manipulate her youngest into serving as his marionette. Then, on the floor next to the body of her dead son, the only man she’s ever taken into her confidence abused that trust in the most vile way imaginable.” - Hillary Kelly, The New Republic


"A giggling dead body would have at least taken our attention away from, you know, the raping." - Johnny Brayson, wetpaint


"Whether the show meant it to come across that way or not, what we saw was a rape.” - Erik Kain, Forbes


"The scene, which has Cersei pleading “stop it” repeatedly and struggling against Jaime, appears far from consensual." - Margaret Wappler, Los Angeles Times


In the show there’s no other way to interpret it as unambiguous rape. Jaimie isn’t loving when he tries to have sex with her in the show, he’s shown as being angry and hateful, cursing her for being a wicked woman. There’s no point in the scene on the show that we can see Cersei consent, which makes the whole scene significantly different from the book. Some readers have pointed out that the rape in the show is damaging for Cersei’s character arc since she had to endure the marriage to Robert Baratheon in which he essentially engaged in marital rape,  Her consensual sex was always with Jaimie who made her feel safe. Jaimie raping her in the show completely destroys their relationship and destroys the trust she has in Jaimie leaving her without anyone. - AJ, the Digital Times


The rewritten scene also takes away all of Cersei’s agency. In the original text, Cersei chooses to have sex with Jaime, grotesque as it and the setting may be — because she wants to, or because she uses sex to manipulate, it doesn’t matter. Cersei has power and control. The scene in the show deprives her of all of that. - Amelia McDonell-Parry, The Frisky


His response is not to stop loving her, not to stop believing that he is victim to the gods. Instead, Jaime rapes his sister, passing that sense of unendurable pain on to her. He must know that this is the worst possible way that he could hurt her. Jaime knew that Robert raped Cersei, and in the novels, he wanted to kill Robert for it. Not only does raping Cersei remind his sister of her repeated, humiliating violation, Jaime is poisoning their own relationship, the thing that had been Cersei’s antidote to the miseries of her marriage. It is an exceptionally cruel thing for Jaime to do.  - Alyssa Rosenberg, Washington Post.


It’s hard to shake the idea that Game Of Thrones, the show, doesn’t see a problem with pushing a scene from complicated, consensual sex to outright rape. It would be easier to accept that idea if it were clear what the show was trying to do with those changes. - Sonia Saraiya, AV Club


If Graves intended to depict consensual sex in the end, he completely failed. This wasn’t even one of those terribly clichéd scenes where a man starts raping a woman only to find that she comes around to thinking it’s hot. Cersei is still kicking and protesting when the camera cuts away. It’s as straightforward a rape scene as you’ll get on TV, unless you buy the ridiculous myth that a woman can’t be raped if she’s consented to sex with a man before. - Amanda Marcotte, Slate


This isn’t the first rape scene in Game of Thrones—far from it. And there’s been controversy over the show’s use of rape before. But what makes this scene the most upsetting one yet is that the director didn’t realize he was filming a rape scene…Whether or not the creators intended this to be a rape scene is irrelevant; they made one anyway. And worse, they made one that encourages the most dangerous thinking about rape imaginable. - Laura Hudson, Wired


"How will victims of sexual assault be affected when a director and actor in one of television’s most popular shows questions whether no really means no?" - Eliana Dockterman, Time Magazine


I’ll go ahead and say it: Jaime Lannister has become a rape cliché. He’s the boss, like every other on-screen rapist we’ve ever seen. - Hayley Krischer, Salon


"I’m not opposed to shows depicting sexual violence, but rape-as-prop is always distressing…Rape and abuse have consequences for the victims who carry those traumas with them. While I don’t know exactly how the show will depict the aftermath of Jamie raping Cersei, GoT does not have a strong track record of acknowledging or exploring the lingering effects of surviving sexual assault." - Margarey Lyons, Vulture/New York Magazine


"I can’t think of any comparable defense for the rape scene in "Breaker of Chains," which feels like a naked and ill-conceived attempt to push Game of Thrones into even darker territory. …I’m concerned that Game of Thrones has made a mistake it can’t take back — and one that sets a troubling precedent for the show’s future.” - Scott Meslow, The Week


The Game of Thrones Rape Scene Was Unnecessary and Despicable….The fact that showrunners might be asking us to overlook this for the sake of character development is downright insulting and says a lot about how we treat victims, especially the ones who come off as unlikable. - Madeleine Davies, Jezebel.com


Is “Game of Thrones” Obsessed With Sexual Assault?…Frankly, there are some weeks when “Game of Thrones” doesn’t seem worth the effort.  - Sam Adams, IndieWire

fatpinkcast:

Critics’ Reactions to the Jaime/Cersei Rape Scene in Episode 4.3 of Game of Thrones

"I wonder, then, if the rape was on some level a misguided attempt to give Cersei even more pathos, a la the convenient backstory rapes that have become depressingly common on prestige TV (and Scandal)…I wonder if TV Thrones‘s writers just have a tendency to change problematic book sex scenes into clear scenes of unconsensual sex.” - Hillary Busis, Entertainment Weekly

Game of Thrones has a rape problem.” Kevin Spak, Newser

"In the original depiction, Jaime never says “Why have the Gods made me love a hateful woman?” — a line that the TV show added in, which in context makes Jaime look like an abusive rapist (the gods made me do it!)”- Darren Franich, Entertainment Weekly

Jaime forced himself upon Cersei despite her demands to stop. “It’s not right,” she cried, to which Jaime snarled, “I don’t care.”…we can never unsee that godawful scene. Leanne Aguilera, E! Online

"If this scene really just is a miscalculation in direction (and potentially the writing of Benioff and Weiss, neither of whom have yet commented on it) and doesn’t get any payoff later in the season, then it truly deserves all the criticism it has been receiving.” - Terri Schwartz, Zap2It

The director who shot the scene and the man who acted in it both believe it wasn’t necessarily nonconsensual sex— an attitude that isn’t totally surprising in a society that’s deeply confused about what constitutes consent, and that doesn’t always recognize sexual violence for what it is. -Tara Culp-Ressler, ThinkProgress

So then Jaime … well … no other way to put this, really. He rapes his sister beside their corpse of their murdered son. This is the same guy who protected Brienne from a similar fate last year.  - James Hibberd, Entertainment Weekly

"…the show’s overall treatment of women as disposable objects onto whom physical and emotional violence are relentlessly enacted. Sexual violence is so pervasive on the show that nearly every woman on the show has been raped or threatened with rape. The show, and the books, reveal the disturbing and cavalier facility with which rape becomes a narrative device.Rape is used to punish. Rape is used to make a woman more sympathetic or to explicate their anger or other unlikable qualities. Rape is used to put women in their place.” -Roxane Gay, Salon

"The entire scene in the sept was an exercise in Cersei’s belittlement. She watched her father degrade and dishonor (albeit truthfully) her firstborn’s legacy and then manipulate her youngest into serving as his marionette. Then, on the floor next to the body of her dead son, the only man she’s ever taken into her confidence abused that trust in the most vile way imaginable.” - Hillary Kelly, The New Republic

"A giggling dead body would have at least taken our attention away from, you know, the raping." - Johnny Brayson, wetpaint

"Whether the show meant it to come across that way or not, what we saw was a rape.” - Erik Kain, Forbes

"The scene, which has Cersei pleading “stop it” repeatedly and struggling against Jaime, appears far from consensual." - Margaret Wappler, Los Angeles Times

In the show there’s no other way to interpret it as unambiguous rape. Jaimie isn’t loving when he tries to have sex with her in the show, he’s shown as being angry and hateful, cursing her for being a wicked woman. There’s no point in the scene on the show that we can see Cersei consent, which makes the whole scene significantly different from the book. Some readers have pointed out that the rape in the show is damaging for Cersei’s character arc since she had to endure the marriage to Robert Baratheon in which he essentially engaged in marital rape,  Her consensual sex was always with Jaimie who made her feel safe. Jaimie raping her in the show completely destroys their relationship and destroys the trust she has in Jaimie leaving her without anyone. - AJ, the Digital Times

The rewritten scene also takes away all of Cersei’s agency. In the original text, Cersei chooses to have sex with Jaime, grotesque as it and the setting may be — because she wants to, or because she uses sex to manipulate, it doesn’t matter. Cersei has power and control. The scene in the show deprives her of all of that. - Amelia McDonell-Parry, The Frisky

His response is not to stop loving her, not to stop believing that he is victim to the gods. Instead, Jaime rapes his sister, passing that sense of unendurable pain on to her. He must know that this is the worst possible way that he could hurt her. Jaime knew that Robert raped Cersei, and in the novels, he wanted to kill Robert for it. Not only does raping Cersei remind his sister of her repeated, humiliating violation, Jaime is poisoning their own relationship, the thing that had been Cersei’s antidote to the miseries of her marriage. It is an exceptionally cruel thing for Jaime to do.  - Alyssa Rosenberg, Washington Post.

It’s hard to shake the idea that Game Of Thrones, the show, doesn’t see a problem with pushing a scene from complicated, consensual sex to outright rape. It would be easier to accept that idea if it were clear what the show was trying to do with those changes. - Sonia Saraiya, AV Club

If Graves intended to depict consensual sex in the end, he completely failed. This wasn’t even one of those terribly clichéd scenes where a man starts raping a woman only to find that she comes around to thinking it’s hot. Cersei is still kicking and protesting when the camera cuts away. It’s as straightforward a rape scene as you’ll get on TV, unless you buy the ridiculous myth that a woman can’t be raped if she’s consented to sex with a man before. - Amanda Marcotte, Slate

This isn’t the first rape scene in Game of Thrones—far from it. And there’s been controversy over the show’s use of rape before. But what makes this scene the most upsetting one yet is that the director didn’t realize he was filming a rape scene…Whether or not the creators intended this to be a rape scene is irrelevant; they made one anyway. And worse, they made one that encourages the most dangerous thinking about rape imaginable. - Laura Hudson, Wired

"How will victims of sexual assault be affected when a director and actor in one of television’s most popular shows questions whether no really means no?" - Eliana Dockterman, Time Magazine

I’ll go ahead and say it: Jaime Lannister has become a rape cliché. He’s the boss, like every other on-screen rapist we’ve ever seen. - Hayley Krischer, Salon

"I’m not opposed to shows depicting sexual violence, but rape-as-prop is always distressing…Rape and abuse have consequences for the victims who carry those traumas with them. While I don’t know exactly how the show will depict the aftermath of Jamie raping Cersei, GoT does not have a strong track record of acknowledging or exploring the lingering effects of surviving sexual assault." - Margarey Lyons, Vulture/New York Magazine

"I can’t think of any comparable defense for the rape scene in "Breaker of Chains," which feels like a naked and ill-conceived attempt to push Game of Thrones into even darker territory. …I’m concerned that Game of Thrones has made a mistake it can’t take back — and one that sets a troubling precedent for the show’s future.” - Scott Meslow, The Week

The Game of Thrones Rape Scene Was Unnecessary and Despicable….The fact that showrunners might be asking us to overlook this for the sake of character development is downright insulting and says a lot about how we treat victims, especially the ones who come off as unlikable. - Madeleine Davies, Jezebel.com

Is “Game of Thrones” Obsessed With Sexual Assault?…Frankly, there are some weeks when “Game of Thrones” doesn’t seem worth the effort.  - Sam Adams, IndieWire

baelfiresdead:

Colors for a   P r i n c e s s 

oniongentleman:

peggingwithstyles:

morsmordre-x:

The Magic Begins
 ↳ a scene you really wanted to be in the movies, but wasn’t: fleur’s speech after bill gets attacked by greyback at the end of hbp

  

The confidence she exudes when she says that she’s good-looking enough for both of them

(Source: remusjohnslupin)

obligatorymeangirlsreference:

Well there goes the rest of my life.

theuppitynegras:

femalerappers:

originalplumbing:

"Everyone who has rallied to get me on this list I love you all. To have a black trans woman at the top of this list if it’s only for today is so major. Keep voting. Voting is open til April 22.” — Laverne Cox via Facebook
Click here to cast your vote in the TIME100 Reader Poll.

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ALL THE WAY TURNT UP YAAAAAAAAASSSSSSSSSSSS!

theuppitynegras:

femalerappers:

originalplumbing:

"Everyone who has rallied to get me on this list I love you all. To have a black trans woman at the top of this list if it’s only for today is so major. Keep voting. Voting is open til April 22.” — Laverne Cox via Facebook

Click here to cast your vote in the TIME100 Reader Poll.

SIGNal BewSt!!!

ALL THE WAY TURNT UP YAAAAAAAAASSSSSSSSSSSS!

In Britain, make-up might have been hard to find, but it was worn with pride and became a symbol of the will to win. ‘Put your best face forward,’ encouraged a 1942 Yadley advertisement in Churchillian tones. ‘War, Woman and Lipstick' ran a celebrated Tangee campaign. Bright red was the favourite wartime colour for lips and nails and lipstick names were often patriotic: Louis Phillippe's Patriotic Red; Fighting Red by Tussy and Grenadier - The new Military red created by Tattoo, effective with air force blue and khaki.

During wartime, a subtle change had taken place in the marketing and the perception of make-up. It was no longer about making a woman seem ‘dainty’, but making her look and feel strong. Rosie the Riveter became a wartime icon in the USA, representing the six million women working in factories for the war effort. [Rockwell] portrayed Rosie as a vast figure in work dungarees, her short sleeves revealing arms the size of prize-winning hams. Behind her hangs the stars and stripes, squashed carelessly under her feet is a copy of Adolf Hitler’s Mein Kampf, and on her mighty lap rests a lunch box and a huge riveting machine like an enormous gun. [Her] henna red curls, lipsticked mouth and painted finger nails stress her femininity, emphasising the fact that make-up too was a weapon of war [Madeleine Marsh, Compact and Cosmetics: Beauty from the Victorian Times to the Present Day]

(Source: reyesrobbies)

sh1re:

happy easter

aneternalscoutandabrownie:

bellecs:

This is literally a Tumblr classroom.

Bonus!

And:

modern au → arya stark as an underground assassin in london

The months merged together, like a long flash of too bright light. When she went to sleep, curling inwards and giving herself over to the dreams, she felt it and when she woke the next morning, it was always to the taste of blood. There was a darkness gathering inside of her and when she held a gun it was closest, consuming her, taking away memories of Winterfell, her father’s voice, her brother’s smile. With a target in mind, it was easy to forget the gnawing in her stomach, to let everything in the world narrow down to a gun and the bullet that she controlled. The names gradually dwindled off of her list, she had a shorter prayer to recite at night, and the dizzy emptiness began to slip away - replaced by something harder, something stronger.